Intersections: Music, Tradition and Education

Intersections: Music, Tradition and Education

Información del libro

Coordinador: Jerry-Louis Jaccard, Hilda Mercedes Morán Quiroz

Serie: Antropología

Volumen: 27

Año: 2010

Resumen:

This is our responsibility, to choose the best food, the best spiritual food for the children. And you would say “Oh, it was easy in Hungary, because you collected fifty thousand songs in thirty years, and this was the material you have to use, but what can we do here in North America with this enormous large material from very different cultures and musical traditions with very different ways?”

But certainly, you have to start in at least one community. There are certainly such communities like the African-American people, or like the Mexican people, the Spanish-speaking people or like the New England people —who have a very different tradition [from] such a close contact with England and the British Isles. So, this would certainly be the first step, to try to collect as much material as possible, because when people speak about folksongs, they are speaking about one typical song, one given song. For me, a folksong is not just one variant. The more variants we have, the more we are allowed to say “this is living material”. So please don´t sing just one example, try to sing variations, if you have twenty variations of a song, then you will be able to select what seems to be the most typical and the most beautiful. Again, you have to compare these twenty songs to twenty other songs, so it´s a very large and very, very heavy work for many people. But this would be the only way, I think, to follow the ideas of Kodály In North America.

Maybe there are some other possibilities, but you should probably not miss putting together a great number of songs in order to be able to really say “this is typically American”, “this is typically North American”, “this is typically —I don´t know— Mexican”, or “this is typically Indian”, or whatever kind of song. Somehow, somebody, somewhere, should start to do such a work, and it certainly will take many, many years, and many, many people, but I think it would finally be of benefir for the North American cultures.
Lászlo Vikár

Palabras clave: Música, folfklore, educación, interculturalidad, identidad

ISBN: 978-607-450-317-3

ISBN colección: 978-607-571-947-4

¿Cómo citar?: Jaccard, J.-L., & Morán Quiroz, H. M. (coords.). (2010). ntersections: Music, Tradition and Education. Editorial CUCSH-UdeG.

Documento: Ver PDF

Contenido del libro

Introduction

Autor(es): Hilda Mercedes Morán Quiroz, Jerry-L. Jaccard, Ricardo Ávila

On folk music research and some possible goals of the IKS László Vikár Forum

Autor(es): János Sipos

Sipos, J. (2010). On folk music research and some possible goals of the IKS László Vikár Forum. En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) Intersections: Music, Tradition and Education (pp. 15–26). Editorial CUCSH-UdeG.
Musical Mother Tongues in Plural Societies: Four Exploratory Studies

Autor(es): Jenny Brunner, Jerry-L. Jaccard

Jaccard, J.-L., & Brunner, J. (2010). Musical Mother Tongues in Plural Societies: Four Exploratory Studies. En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) Intersections: Music, Tradition and Education (pp. 27–44). Editorial CUCSH-UdeG.
The Philippine Project: In Search of a National School Music Curriculum

Autor(es): Miriam B. Factora

Factora, M. B. (2010). The Philippine Project: In Search of a National School Music Curriculum. En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) Intersections: Music, Tradition and Education (pp. 45–66). Editorial CUCSH-UdeG.
Where Bartók Left Off: Researching Turkic Elements in Hungarian Folksong

Autor(es): János Sipos

Sipos, J. (2010b). Where Bartók Left Off: Researching Turkic Elements in Hungarian Folksong. En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) ntersections: Music, Tradition and Education (pp. 67–110). Editorial CUCSH-UdeG.
Ethnopedagogy of Creole Singing Tales: From the Musical Life of Everyday to a Symbolic Way of Self-Expression

Autor(es): Claude Dauphin

Dauphin, C. (2010). Ethnopedagogy of Creole Singing Tales: From the Musical Life of Everyday to a Symbolic Way of Self-Expression. En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) Intersections: Music, Tradition and Education (pp. 67–110). Editorial CUCSH-UdeG. (pp. 111–117). Editorial CUCSH-UdeG.
Intersections: Folk Music Research and (Music) Education

Autor(es): Hilda Mercedes Morán Quiroz

Morán Quiroz, H. M. (2010). Intersections: Folk Music Research and (Music) Education. En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) Intersections: Music, Tradition and Education (pp. 117–154). Editorial CUCSH-UdeG.
Extroduction: What about music?

Autor(es): Ricardo Ávila

Ávila, R. (2010). Extroduction: What about music? En Jaccard, J.-L., & Morán Quiroz, H. M. (coordinadores) Intersections: Music, Tradition and Education (pp. 155–184). Editorial CUCSH-UdeG.
About the Authors